About The Song
Today we will attempt to explicate what I find to be Kris Kristofferson’s most somber and subversive piece, “Casey’s Last Ride. You see, Kristofferson is widely regarded as a country artist and, being that he is a former army helicopter pilot, a modern day cavalryman, I wouldn’t expect less of him. Yet his days stationed in Europe were undoubtedly influential for, in this piece, we find the cowboy’s guitar strumming in no place other than the London Underground. The setting, though, is only the first of things to shatter our expectation of what a country song is. Casey, the very subject of the song, is really a nobody. This, amongst the metal absurdity of the city, hits like an overdose of reality which is particularly shocking to listen to…especially for newer generations like mine overloaded with upbeat pop-country.
Setting the stage for that OD, I think if anyone were to listen to “Casey’s Last Ride,” they would instantly classify it as a country song by ear: it comes together quickly with Kristofferson’s drawl, the slow rhythm, and acoustic twang. Nonetheless anyone who deeply listens to what that drawl is communicating, can see this is not an average country ballad. Generally we can note that Casey does not have any lines of his own. He is only spoken of by the narrator and spoken to by his old flame. Perhaps I’m going out on a limb but I think characters in country music tend to be boldly outspoken, be they a hell raiser, sheriff, or just a rigid old country inhabitant. Consider Charlie Daniel’s protagonist Johnny, who challenges the devil himself, in “The Devil Went Down to Georgia;” consider the players in any Marty Robbins Song or Johnny Cash’s unnamed personae. They might not all have lines, but their actions speak for them and their rigid (im)morality.
In Casey’s instance, we find that he does not stand tall on either side of the law, figuratively speaking. He does stand on the right side of the reflective paint in the Subway. He “minds the arrows” like everyone else. Really a standout nobody in the world of country music figures to remember. Perhaps he is even a coward if we are to consider a couple things. First that he “ignores the fatal echoes of the clickin’ of the turnstiles and the rattle of [its] chains” and, second, that the fatal echoes represent some sort of call to action.
His lack of voice in this country tune lends confusion to his meeting with his old girlfriend as well. We do not see Casey give in to her seduction as we might expect but, significantly, we don’t hear him reject it either. He is just gone…gone to what might be the physical embodiment of the country, “the Golden Crown” or our figurative saloon. There, we see a fragile shell of the brazen saloon our dads might know from 50’s westerns. At the counter, the song comes full circle and affirms any suspicion of Casey’s inconspicuousness: “Seeing his reflection in the lives of all the lonely men // Who reach for anything they can to keep from goin’ home.”
Now, all this comparison is not to say that all country music is cathartic or happy. Rather, I find that “Casey’s Last Ride” stands in stark contrast to my impression of country music which is more positive (especially considering my generation as previously mentioned). On the other hand, I have read that some people consider country music generally depressing. This, I would assume, is an older mentality. Regardless, I think the song has something to offer anybody. No matter how sad your country music is, you don’t often see a completely voiceless subject. And no matter your generation you don’t know of a story in London set to the tune of country music.
Video
Lyrics
Casey joins the hollow sound of silent people walking down
The stairway to the subway in the shadows down below
Following their footsteps through the neon-darkened corridors
Of silent desperation, never speakin’ to a soul
The poison air he’s breathin’ has the dirty smell of dying
‘Cause it’s never seen the sunshine and it’s never felt the rain
But Casey minds the arrows and ignores the fatal echoes
Of the clickin’ of the turnstiles and the rattle of his chains
“Oh, ” she said, “Casey, it’s been so long since I’ve seen you”
“Here, ” she said, “Just a kiss to make a body smile”
“See, ” she said, “I’ve put on new stockings just to please you”
“Lord, ” she said, “Casey, can you only stay a while?”
Casey leaves the underground and stops inside the Golden Crown
For something wet to wipe away the chill that’s on his bone
Seeing his reflection in the lives of all the lonely men
Who reach for anything they can to keep from goin’ home
Standin’ in the corner, Casey drinks his pint of bitter
Never glancing in the mirror at the people passing by
Then he stumbles as he’s leaving and he wonders if the reason
Is the beer that’s in his belly, or the tear that’s in his eye
“Oh, ” she said, “I suppose you seldom think about me”
“Now, ” she said, “Now that you’ve a fam’ly of your own”
“Still, ” she said, “It’s so blessed good to feel your body”
“Lord, ” she said, “Casey, it’s a shame to be alone”
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